On January 28, 1742, a ramshackle vessel of patched-together
wood and cloth washed up on the coast of Brazil. Inside were thirty
emaciated men, barely alive, and they had an extraordinary tale to tell.
They were survivors of His Majesty’s Ship the Wager, a British vessel
that had left England in 1740 on a secret mission during an imperial war
with Spain. While the Wager had been chasing a Spanish treasure-filled
galleon known as “the prize of all the oceans,” it had wrecked on a
desolate island off the coast of Patagonia. The men, after being
marooned for months and facing starvation, built the flimsy craft and
sailed for more than a hundred days, traversing nearly 3,000 miles of
storm-wracked seas. They were greeted as heroes.
But then ... six
months later, another, even more decrepit craft landed on the coast of
Chile. This boat contained just three castaways, and they told a very
different story. The thirty sailors who landed in Brazil were not heroes
– they were mutineers. The first group responded with countercharges of
their own, of a tyrannical and murderous senior officer and his
henchmen. It became clear that while stranded on the island the crew had
fallen into anarchy, with warring factions fighting for dominion over
the barren wilderness. As accusations of treachery and murder flew, the
Admiralty convened a court martial to determine who was telling the
truth. The stakes were life-and-death—for whomever the court found
guilty could hang.
The Wager
is a grand tale of human behavior at the extremes told by one of our
greatest nonfiction writers. Grann’s recreation of the hidden world on a
British warship rivals the work of Patrick O’Brian, his portrayal of
the castaways’ desperate straits stands up to the classics of survival
writing such as The Endurance,
and his account of the court martial has the savvy of a Scott Turow
thriller. As always with Grann’s work, the incredible twists of the
narrative hold the reader spellbound.
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